You will not write about the beekeeper, but if you do you will study bees obsessively, you will learn all the rules of the trade. You will know that Apis mellifera is the scientific name of the honey bee typically found in America. You will learn how the queen gets fertilized, how bees get sick and die. You will know that American foulbrood is deadly while European foulbrood is not, and that the names have nothing to do with geography. Then you will study tools that a beekeeper uses. You will live inside his brain. You’ll be prepared to use the decoy hive and anchor stray swarms when the time comes. You will not mention these things anywhere in your fiction, but if you don’t know the facts your writing will be lighthearted and it will not convince anyone.

You had good hands for masonry when you were young. An old master told you that a stone should be observed from its invisible side before it’s laid down. You turned stones in your hands for a long time looking for that invisible side. When you put them down they fit perfectly. You will not mention that you read this on page twenty seven of a book written by Mirko Kovač, the writer you admired. Although you know now that it was only a metaphor, that’s how you want to write, always observing things from their invisible side.

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The first time I heard Aase’s Death by Eduard Grieg, I had just moved back to my father’s house and the war was starting. Ned called and said his friend Tomas wanted to sell his old record player. The price was good if I was interested. Ned knew about music players. He gave me his friend’s phone number. That same evening, I was home with the new player and a box of classical music records. Tomas said they were of no use to him now and I could have them for free. At home, I put Eduard Grieg on the turntable: Overture, Morning, Aase’s Death.

I sat listening when the phone rang. It was Ned. He asked if I bought the player. He said he had just lost power and didn’t know what to do with himself. As we spoke, the light of my desk lamp went out. The music went out with it. There was complete darkness in the house.

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James Joyce said that every story must have an “epiphany”. In the dictionary, epiphany  is defined as ‘a manifestation of a divine or supernatural being’, or a ‘moment of sudden revelation.’ The reader’s world is changed through this revelation, and the change is permanent.

What’s true for stories is also true for poetry.

It is not an exaggeration to say that a good poem is a ticking bomb.

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My son has grown
And is now asking questions
About Bosnia
He wants to know who he is
And what the country he was born in
Was really like
During the time of war

Above all
He wants to know why
Serbs, Croats, and Muslims
Started shooting at each other

He is reading Zlata’s Diaries
And is determined to write about Bosnian war

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You know the day is coming
When you will have to go to these events
Because your son is a high school junior
And he is talking about college more frequently
Than in the past

So you go one evening
To a MEFA presentation
You are given a brochure and a free pen
You are so sleepy through the first half
That second half makes no sense

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